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Studio G

Work

The picture before it has your name on it.

We are not going to invent a client list. These are the setups a Studio G day looks like: a hall, a stage, a celebration, a switcher, and the edit after everyone has gone home.

Two video cameras facing a conference podium before the audience arrives

Hall and stage

Three-camera conference

Wide, close and a spare. Speakers, panels and a slide feed, switched for the room and for people watching from elsewhere.

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A camera on a tripod in a sunlit hall aimed at a wooden stage

Worship

Daytime hall service

Natural light, a long service, and a stream that does not wander. We hold on what matters and keep the words readable.

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An evening celebration with string lights and a camera operator seen from behind

Evening

Outdoor celebration

Weddings and family gatherings after sunset. We light faces, follow the programme, and cut a film the family can keep.

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A broadcast switcher and preview monitors in a dark production area

Control

Live switch

The programme is called from a desk: cameras, audio and a backup, so one failed cable is not the end of the stream.

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A dark auditorium with cameras on tripods facing a warmly lit stage

Livestream

Full stage

Concerts, conferences and night programmes. Cameras in front, a picture that feels like the room.

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A dim editing desk with a monitor showing warm stage lights

After the day

Edit and delivery

Colour, a clean mix, and a file you can publish. The stream is the live moment. The edit is what remains.

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