
Hall and stage
Three-camera conference
Wide, close and a spare. Speakers, panels and a slide feed, switched for the room and for people watching from elsewhere.
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We are not going to invent a client list. These are the setups a Studio G day looks like: a hall, a stage, a celebration, a switcher, and the edit after everyone has gone home.

Hall and stage
Wide, close and a spare. Speakers, panels and a slide feed, switched for the room and for people watching from elsewhere.
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Worship
Natural light, a long service, and a stream that does not wander. We hold on what matters and keep the words readable.
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Evening
Weddings and family gatherings after sunset. We light faces, follow the programme, and cut a film the family can keep.
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Control
The programme is called from a desk: cameras, audio and a backup, so one failed cable is not the end of the stream.
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Livestream
Concerts, conferences and night programmes. Cameras in front, a picture that feels like the room.
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After the day
Colour, a clean mix, and a file you can publish. The stream is the live moment. The edit is what remains.
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